Sign ups are here and there is a multitude of options to tailor this club to your baby quilt needs. Annie has put together some sample bundles to give you an idea of what to expect:
- you can choose monthly, every two months, boy or girl or a mix of selections, option to include co-ordinating Kona solids. Great idea Annie!
A random insert here, I saw this during one of my frequent browses in the Chambray section (I've mentioned my love for Chambray so many times) and I chanced upon this beauty, Chambray jacquards in Indigo, which I have not seen anywhere else either as fabric or sewn up into a garment or quilt:
Jacquard means that the lighter colour weft threads float over the darker warp to produce the pattern. A beautiful effect, delicate and a bit of a nightmare whilst cutting and handling- like the Chambray dot that I used for an Alder dress, but once it is sewn up and the seams are secure you are onto safe territory. This jacquard chambray's just a little heavier than the dot and I will say, I hear it calling me! Just not sure if it will survive contact with a cat! Whilst I am netioning the Alder dress, that particular Grainline pattern is also currently in stock. I reviewed it here and made a second version here. The Grainline sew-along is here.
For Autumn/winter wear, I would make this as a dress to wear over a thin jersey top and stick a cardi over too! Remember to keep your sizing on the more generous side if you are going to wear something underneath. I would do this by using the pattern I've already used but a less generous seam allowance on the side seams just for extra wiggle room. Maybe incorduroy?
I'm on half term and I am working away on some paper piecing projects including something for Fat Quarterly. For the fabric, Becca of Sew Me a Song gave me the chance to make up my own Suzuko Koseki bundle, I could even get very fancy and say curated- I'm imagining myself stroking a London style beardy chin just writing the word, although its not quite the same image on a forty-something woman as it is on a young male hipster. Anyway, I leapt at the chance and it arrived today. I am thrilled and I love it. Twelve beautiful fabric fat quarters of rich colour saturation featuring my favourite fabric designer.
The daisies are a new Suzuko Koseki print and I new I had to include them. My other choices reflected a mix of colours, large, medium and small prints, light, bright and dark colours and a range of text prints. I'll be using a neutral background with these to showcase their finery. The Fat Quarterly project won't be for a while yet, but if you want to get your hands on this bundle, the lovely Becca has it listed in her shop right now! Here as fat quarters and here as fat eighths. You will find yardage of the different prints in her shop.
Welcome to the first stop on the 318 Patchwork Patterns: Original Patchwork & Applique Designs blog hop. I have been a fan of this book for so long, first the original Japanese publication by Kumiko Fujita and the reissue and translated version reprinted by Zakka Workshop/World Book Media. At the end of this post, there is a giveaway to win a copy of 318 Patchwork Patterns and all are welcome to enter, the winning copy will be sent anywhere in the world!
It is a book of few words but now I can actually read the brief text in the book! More than anything else, it is a book to inspire! It is a mix of paper pieced and appliqué designs. This blog post is going to cover two themes: firstly how to prepare and reproduce the small image in the book to make a 6" x 6" finished block; and secondly, how to sew the block using freezer paper piecing. I am concentrating on block, #160, House on a hill and my 6" square block ended up as a small wall hanging.
The main construction method described in the book for the pieced blocks is hand piecing but it is possible to machine piece the blocks using freezer paper piecing and even foundation paper piecing although some adaptations may need to be made on some designs. If you want to follow the hand piecing method, Wynn has lots of hand piecing advice at Zakka Art. You could even adapt some blocks for English paper piecing- the pin cushion block #15 from 'Sewing Goods' section would be a good example of a pattern that would work well using EPP- see Jessie's blog series English Paper Piecing Basics for this technique.
Preparing the Image
1. Enlarge: Method One, Photocopy
The majority of blocks in 318 Patchwork Patterns are 2 ⅜" x 2 ⅜" . You can either use a photocopier to increase the size of the block by enlarging by 250%. Technically- this will make the block slightly under 6" so if you want precisely 6", enlarge by 253%. Now your block is enlarged. If you want your finished block to face the same way as the drawing, the image needs to be flipped or mirror images in some way- we'll do this when we transfer the drawing to freezer paper.
2. Enlarge: Method Two, Scan
I use a desktop scanner rather than a photocopier to reproduce the blocks and then some basic tools on my iMac to increase the image size. I will also mention a method for a PC. Firstly I scan the page I need. My canon scanner scans at actual size and loads it to my desktop. Alternatively, you could use a scanner app- I tried Cam Scanner on my iPhone and it worked fine. Next, I use a programme called Previewthat came with my iMac to isolate the design I want to use. The scanned image will automatically open in Preview. I choose Rectangular Selection from the selection tools. This tool allows you to draw a border around the image that you want to select and it will show the size of the box so you can draw an accurate square or rectangle.
Once the square is drawn (shown as a dotted line around the chosen image) go to Tools and select Crop.
The image is now isolated and ready for you to 'Select All' and once it is selected, choose Copy.
You now have a picture that can be saved and is ready to paste into a document and resize. I use a blank Microsoft Word document, paste it in and change the picture size to exactly 6" square using the right button on the mouse and choosing Format Picture and then the Size option. I chose 6.01" to allow for the line around the block. The advantage of using this method rather than photocopying is that there is now an option to 'flip' the image so that the design is reversed ready for piecing and the finished block will come out facing the same way as the original drawing. In the Formatting Palette tools, you can then choose Rotation and Flip Horizontal.
If you are using Windows, the equivalent to Preview is Windows Photo Viewer. Choose Open from the menu bar and then Paint and you will see rotation and flip options.
3. Trace and Number
The design is ready to number the pieces and then trace on to freezer paper. There is no definitive method to number the pieces. The designs in this book are too complex to be pieced in a single section, instead I usually eyeball the picture to work out how many sections there will be, give each section a letter, A,B,C etc and number the pieces. There is likely to be a Y seam in most blocks so I keep an eye out for these too. You can see my sections in this picture and I have numbered the top section and marked the Y seams on the chimneys/roof/sky. You can also add tick marks to help match up tricky areas like diagonals- see section C where I have added them in blue. There are no hard and fast rules here. I could have sectioned the design a different way but the three horizontal sections seemed the easiest.
If the image has been flipped, you can lay freezer paper over the top so that the dull papery side is facing you and trace transferring all the information. If the image hasn't been flipped, lay the freezer paper on top with the waxy side facing you and use a sharp hard pencil to trace the image- then turn the paper over and write the piece numbers/sections information on the paper side- the image is now flipped.
4. Freezer Paper Piecing
i. Once the pattern has been traced, I work on one section at a time and only cut out that section- so I don't lose any small pieces. Each piece is cut out along the traced lined using a scalpel knife and quilt ruler. Press the waxy side of the paper to the wrong side of your fabric using a hot iron and cut out allowing 1/4" eam allowance all round. I use a generous 1/4" to allow for the space of the stitches, the important thing is to be consistent on all pieces. This is all of section A prepared with seam allowances.
ii. The first seam is straightforward. Pieces A1 and A2 are placed right sides together, I align the corners of the freezer paper templates on both pieces precisely using a vertical pin and this method, hold the pieces together and the stitch the seam from end to end. I use a very small stitch, usually 1.5mm so that the stitches are secure and I don't need to secure the seam at the beginning and end. Piece A3 is added in the same way. The chimney area above the roof is complete.
iii. The next piece involves sewing a partial seam in preparation for the Y seams when pieces A5 and A6 are joined. When piece A4 is added, the seam starts where the pieces of freezer paper meet together- see the photo below- and finishes where the freezer paper ends. The seam allowances are left unstitched. For this type of seam you will need to secure each end of the seam. Precision sewing is required! Start by sinking the needle into the precise position by hand or using 'needle down' button, then lowering the foot . Then sew slowly, three stitches forwards and three stitches back- counting each stitch! If you prefer, you can hand crank this step. Then, sew forwards stopping exactly where the freezer paper ends and reversing to secure the seam. It may help to mark the stopping point using a pencil to give yourself a target to aim for. If you go over by one stitch when you start or stop the seam you will need to unpick that stitch and sew it again.
iv. Now, to sew the first part of the Y seam. I like to sew from the intersection outwards as I find it gives better results and I have chosen to sew the shorter seam first between pieces A1 and A5. As in the picture below, arrange the fabrics so that A4 is lying away from the seam and the needle is sunk where the intersection between pieces A1 and A5 starts. As in step iii above, sink the needle, lower the foot and sew forwards three stitches, backwards three stitches, and then sewing to the end of the seam.
Repeat the same process starting at the intersection between A4 and A5 (see pic below) and sewing the seam outwards.
The completed Y seam can be seen in the picture below. You can press the seams how you wish. When I trim the threads from each seam, I like to leave 1/2" of thread tails which discourages any unravelling and stop little bits of thread poking through.
Repeat with piece A6 for the other side of the roof using the Y seam technique in step iv. That completes section A. The remainder of the block is sewn by sewing the remaining sections B and C adding the pieces in numerical order using standard seams. The sections are then sewn together to match the picture. With freezer paper piecing, aligning the sections precisely when you stitch them together makes for a much better looking block so use the pin technique as before when matching the roof to the house, house to the hill and trunks to the trees. You can even use a little glue basting to get the alignment spot on!
I added 2 ½" wide sashing around the block and then I hand quilted the block onto wadding.
I added backing and hanging corners and stitched in the ditch around the block.
I used a wide single binding, 2 ¼" wide and sewn on with a ½" seam allowance for a picture frame effect. You can find my single binding tutorial here
If you have any questions about freezer paper piecing, email me and I will do my best to answer! Meanwhile, enjoy the beautiful makes on the blog hop! You can find the blog hop details below and for those who like to sew along, Al is hosting a 318 quilt-along here. GIVEAWAY TIME! To win a copy of 318 Patchwork patterns, comment below saying what you would like to see featured in a paper piece design? A cat? A hair dryer? A steam train? Anything you like! If you are a blog follower you can have an extra entry- just state how you follow in your second comment. I will need to be able to contact you by email. I will announce the winner on Friday 24th October. Giveaway is now closed.
Here are the other hop dates:
Fiona is a dynamic hardworking woman with incredible business skills and a love of crafting, especially sewing. She can problem solve all day long and is funny and positive even during hard times. If I want anyone to tell me about business, I want it to be her! Fiona writes with a friendly, clear voice. She covers a wide range of issues and topics relevant to a creative business (and many other small businesses) with no flannel, making complex subjects simple and easy to understand and absorb. You can work your way through from beginning to end or, more likely, dip into the chapters that you either need to work on for your business or are naturally drawn to. It's an interactive read; Fiona suggests at the beginning that you start the book with a notebook at your side and complete the activities as you go (these are the ring bound notebook boxes on the page). At the end of the book you will then have a notebook full of good ideas and plans for your enterprise.
This book is a joy to read and that in itself is an achievement in a book about business. It is well laid out, with each chapter having a different background colour and information is presented in a mix of styles so you eye and brain is kept stimulated. Its a neat size 6 ¾" x 8 ¼" too, easy to carry round and read on the go.
The coverage is vast, from tweaking your merchandise photographs to insurance, to google analytics.
Its no surprise to me that the chapters that are particularly helpful are those on legal matters and the online themes of Social media and Online Market place; Fiona trained as a lawyer. Legalities are not the most interesting to think about but they do have to be understood and mastering an online presence is an essential part of any business today. Much of the success of Fiona's own business, Sewing Directory, has come from her knowledge of law and her social media skills. Her etiquette guides to Twitter, Facebook and her Do's and Don'ts of Social Media are must read sections if you are new to any aspect of social media.
I am self employed small business woman in my non sewing life- that sounds so fancy but really it means I run music classes for babies and toddlers as part of a supportive and friendly franchise. Like many small businesses, I chose it because I love teaching (I used to be a primary teacher) and I wanted a job to fit round my daughter who was just starting school at the time. Much of the online sections could be applied to this business, a non craft endeavour, and I worked my way throughout the section on Search Engine Optimisation (I think this could be Fi's specialist subject if she ever decides to go on Mastermind!). The way Fiona explained it was easy to understand and my meta tags descriptions, which were a bit vague and wishy washy, are now focused, up to date and ready for google searches.
There are special guests with varying words of wisdom from all over the craft world. Some chimed with me, others not so much but there is something for every sort of craft business. I especially liked Kristin's (Sewmamasew) contribution, I could not agree more with her focus on community and reciprocity. I do lots of work for free, blog hops, tutorials sharing links with projects and books that I find interesting and I hope you will too. Most of these came about through slowly building relationships with a variety of people and businesses over the years. Most are unpaid or without direct material benefit, occasionally I get sent a book or some thread which is always a treat- who doesn't love free stuff, but most are goodwill, support and mutual appreciation.
I should declare that I was sent this book for free as a review copy and that obviously I know Fiona. If I had a criticism the only thing that comes to mind is the font choice in the little post-it note style squares- its a handwriting style font and just not to my taste and was probably decided by someone else. There is nothing else to criticise! Fiona has a dedicated website to this book and keeping the topics up to date. If you are having even the vaguest thoughts about starting a crafty business, this book is your new best friend. Read it, do the activities and be prepared for what having a small business throws at you. Its a tough world out there and everyone needs a friend! It goes on sale mid November as is available for pre-order.
Well done Fiona, I await your next book- there is so obviously going to be another!
I've so many things to blog about at the moment, I don't have time to get them all in, but I really want to share a foundation paper piecing project that is just about to come out in October's copy of Love Patchwork and Quilting. You know my favourite things to paper piece are teapots and houses, so in preparation of the colder weather a 'Winter House' foundation pieced cushion cover.
I love the photo styling! I find cushions and pillows hard to photograph so its amazing what a professional can do! This is a a skills builder project: there are downloadable free full-size templates on the LPQ website for the paper piecing and I cover the foundation piecing process in details; there is a mitred corner border so the house looks like its sitting in a picture frame; and finally there is a machine stitched zipper opening which could easily be replaced by an envelope style opening too.
I kept to a muted cool palette with a hint of warmth just hinting at Christmas.
The download is cutting instructions only- its easy to assemble if you are familiar with Lori's easy techniques like easy corner triangle which she covers in Quilty Fun and in her blog tutorials.
For UK and non USA people looking for the book, it is available here at Kaleidoscope quilting and books. Its an easy block to make, I cut mine out and laid it as the diagram on a tray and then worked my way through the main sections of the cake. It would make a lovely block for a first birthday baby quilt too!